Subjectivity: Filmic Representation and the Spectator's Experience (Key Debates Mutations and Appropriatons in European Film Stud【並行輸入品】

■全国送料無料■並行輸入品のため、海外からのお取り寄せとなり、配送まで10-20日ほどのお時間を頂いておりますが、迅速配達を心掛けお届けいたします。■詳しい納期は、事前にお問い合わせいただくか、ご購入後にお知らせいたします。■関税につきまして、お客様の負担は一切ございませんのでご安心ください。■海外からの輸送により外箱に若干のいたみ等が出る場合がございますが、商品自体には問題はございません。■税関にて内容確認のため開封される場合がございますが、商品に影響が出るような事はございませんのでご安心くださいませ。With the rise of French and Italian New Wave cinema, the concept of subjectivity came to the forefront of film criticism and theory. The subjective camera allows for the audience to experience film in a wholly different way, manipulating or enriching viewers and forcing them to engage with film as a medium. Subjectivity advances the debate over its role in the history, philosophy, and culture of cinema. This engaging, multifaceted study of a single, controversial concept addresses the New Wave movement and also expands its focus to include a variety of genres within the rapidly changing medium of film. With a diverse array of contributors including Vivian Sobchack, Francesco Casetti, Laura Marcus, Jose Moure, and many other prominent film theorists, this engaging collection of essays both challenges and enhances our understanding of film history. Subjectivity is essential reading for film scholars, media theorists, and fans of the French and Italian new wave.